Mundus Imaginalis [2]

I have just mentioned the word utopian. It is a strange thing, or a decisive example, that our authors use a term in Persian that seems to be its linguistic calque: Na-kojd-Abad, the "land of No-where." This, however, is something entirely different from a utopia. 

Let us take the very beautiful tales -simultaneously visionary tales and tales of spiritual initiation-  composed in Persian by Sohravardi, the young shaykh who, in the twelfth century, was the "reviver of the theosophy of ancient Persia" in Islamic Iran. Each time, the visionary finds himself, at the beginning of the tale, in the presence of a supernatural figure of great beauty, whom the visionary asks who he is and from where he comes. These tales essentially illustrate the experience of the gnostic, lived as the personal history of the Stranger, the captive who aspires to return home. 

At the beginning of the tale that Sohravardi entitles "The Crimson Archangel," the captive, who has just escaped the surveillance of his jailers, that is, has temporarily left the world of sensory experience, finds himself in the desert in the presence of a being whom he asks, since he sees in him all the charms of adolescence, "0 Youth! where do you come from?" He receives this reply: "What? I am the first-born of the children of the Creator [in gnostic terms, the Protoktistos, the First-Created] and you call me a youth?" There, in this origin, is the mystery of the crimson color that clothes his appearance: that of a being of pure Light whose splendor the sensory world reduces to the crimson of twilight. "I come from beyond the mountain of Qaf... It is there that you were yourself at the beginning, and it is there that you will return when you are finally rid of your bonds." 

The mountain of Qaf is the cosmic mountain constituted from summit to summit, valley to valley, by the celestial Spheres that are enclosed one inside the other. What, then, is the road that leads out of it? How long is it? "No matter how long you walk," he is told, "it is at the point of departure that you arrive there again," like the point of the compass returning to the same place. Does this involve simply leaving oneself in order to attain oneself) Not exactly. Between the two, a great event will have changed everything; the self that is found there is the one that is beyond the mountain of Qaf a superior self, a self "in the second person." It will have been necessary, like Khezr (or Khadir, the mysterious prophet, the eternal wanderer, Elijah or one like him) to bathe in the Spring of Life. "He who has found the meaning of True Reality has arrived at that Spring. When he emerges from the Spring, he has achieved the Aptitude that makes him like a balm, a drop of which you distill in the hollow of your hand by holding it facing the sun, and which then passes through to the back of your hand. If you are Khezr, you also may pass without difficulty through the mountain of Qaf. 

Two other mystical tales give a name to that "beyond the mountain of Qaf and it is this name itself that marks the transformation from cosmic mountain to psychocosmic mountain, that is, the transition of the physical cosmos to what constitutes the first level of the spiritual universe. In the tale entitled "The Rustling of Gabriel's Wings," the figure again appears who, in the works of Avicenna, is named Hayy ibn Yaqzan ("the Living, son of the Watchman") and who, just now, was designated as the Crimson Archangel. The question that must be asked is asked, and the reply is this: "I come from Na-koja-Abad." Finally, in the tale entitled "Vade Mecum of the Faithful in Love" (Mu'nis al-'oshshaq) which places on stage a cosmogonic triad whose dramatis personae are, respectively, Beauty, Love, and Sadness, Sadness appears to Ya'qab weeping for Joseph in the land of Canaan. To the question, "What horizon did you penetrate to come here?," the same reply is given: "I come from Na-koja-Abad".

From: Mundus Imaginalis, or the Imaginary and the Imaginal

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