Pablo writes: This presentation analyses the content of Ibn ʻArabī’s lesser-known work, Kitāb Manzil al-manāzil al-fahwāniyya (“The Mansion that Gathers [the Keys to All] the Mansions in Which Direct Speech Descends”), which is devoted to Quranic hermeneutics and structured on symbolic principles derived from the science of numbers and the abjad alphanumeric system. It explores the author's unique correlation between the 114 ‘mansions’ or ‘stations’ and the 114 suras of the Quran, classifying them into 19 major mansions based on the introductory text of each sura. Conceived as a journey of ascension (miʻrāj) through the Quran's 'citadels', this book is intimately related to chapter 22 of Ibn ʻArabī’s major work, al-Futūḥāt al-makkiyya. In this presentation, I intend to address some of the implicit, yet unexplored, questions raised in this book. I propose that Ibn ʻArabī employed strategic ambiguity in his writing, using misleading elements and deliberate omissions to avoid undue attention. Pablo Beneito is a Professor of Translation and Interpretation at the University of Murcia. He has served as an Invited Professor at institutions such as the École Pratique des Hautes Études (Sorbonne) and the University of Kyoto (ASAFAS), among others. In his study of Ibn Arabi’s thought, Pablo has extensively researched, edited, and translated several of his works and other texts related to him. His English-language publications include Contemplation of the Holy Mysteries (co-authored with Cecilia Twinch); Kashf al-ma‘nâ, The Secret of God’s Most Beautiful Names (forthcoming with Anqa Publishing), and both The Seven Days of the Heart and Patterns of Contemplation (co-authored with Stephen Hirtenstein). Since 2011, he has been coordinating the activities of MIAS-Latina. Starting in 2014, he took on the role of Editor for El Azufre Rojo: Revista de Estudios sobre Ibn Arabi published by EDITUM at the University of Murcia, and he curated the "Jayal: Creative Imagination" exhibition at Casa Árabe in Madrid and Córdoba from 2016 to 2017.
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