La Virgen Madre - Fulcanelli

<p><iframe allowfullscreen="allowfullscreen" width="640" height="390" src="https://www.inoreader.com/yt-embed/?v=4hmwNu-qOWE" referrerpolicy="strict-origin-when-cross-origin" style="width:100%;aspect-ratio:16/9;height:auto;display:block;border:0;" frameborder="0"></iframe></p><p>En "El misterio de las Catedrales" de Fulcanelli se aborda el simblismo de la Virgen-Madre y su relevancia a la hora de comprender el esoterismo occidental.</p> <p><a href="https://www.youtube.com/watch?v=4hmwNu-qOWE" target="_blank">- Enlace a artículo -</a></p> <p>Más info en https://ift.tt/zWqgfYy / Tfno. & WA 607725547 Centro MENADEL (Frasco Martín) Psicología Clínica y Tradicional en Mijas. #Menadel #Psicología #Clínica #Tradicional #MijasPueblo</p> <p>*No suscribimos necesariamente las opiniones o artículos aquí compartidos. No todo es lo que parece.</p>

Beethoven: Piano Concerto No. 4 | Margarita Höhenrieder, Bamberg Symphony & Martin Haselböck

<p><iframe allowfullscreen="allowfullscreen" width="640" height="390" src="https://www.inoreader.com/yt-embed/?v=suUk959u42o" referrerpolicy="strict-origin-when-cross-origin" style="width:100%;aspect-ratio:16/9;height:auto;display:block;border:0;" frameborder="0"></iframe></p><p>Beethoven’s Piano Concerto No. 4 in G major, Op. 58 has been described as "the most wonderful, singular, artistic, and difficult of them all" as one reviewer wrote in a Leipzig publication in 1809. It was performed only twice during the composer’s lifetime — on both occasions with Beethoven himself as the soloist. He was, after all, considered the greatest piano virtuoso of his time. <br> <br> In this video, the celebrated masterpiece is performed by pianist Margarita Höhenrieder, accompanied by the Bamberg Symphony under the direction of Martin Haselböck. The concert took place in 2018 at the Konzerthalle Bamberg in southern Germany. Margarita Höhenrieder plays the cadenza composed by Beethoven (14:09). Today, it is the standard choice in most performances<br> <br> (00:00) I. Allegro moderato<br> (18:56) II. Andante con moto<br> (23:59) III. Rondo vivace<br> <br> Ludwig van Beethoven (1770–1827) composed his Piano Concerto in G major between 1804 and 1806. The first performance took place in March 1807 in a more or less private setting, while the public premiere followed on December 22, 1808. The concerto was dedicated to Archduke Rudolph of Austria, who later became a cardinal, and who was both Beethoven’s pupil and patron.<br> <br> Those familiar with Beethoven’s works will notice connections between the Piano Concerto in G major and other compositions he composed during the same period, including Symphony No. 5 in C minor, Op. 67, the opera "Fidelio," Op. 72 (then still known as "Leonore"), and the Coriolan Overture, Op. 62. Although these relationships are subtle, they still reveal Beethoven’s mastery. He was able to revisit musical ideas and transform them into something entirely new each time. <br> <br> Equally characteristic of Beethoven’s compositional style is the way he challenges tradition. While he composes within the framework of classical forms, he repeatedly breaks away from them. With the Fourth Piano Concerto, he even established a new type of concerto; one in which symphonic form and solo concerto merge into a kind of "symphonic piano concerto," where the three contrasting yet individual movements form a unified whole.<br> <br> The first movement of the Piano Concerto, Op. 58, begins with another innovation. For the first time, a concerto opens not with an orchestral introduction but with the solo piano. Right at the start of the opening theme, three striking eighth notes are heard — an unmistakable echo of the famous "fate motif" from Beethoven’s Fifth Symphony. Studies of the composer’s drafts suggest that the first movement of the Fourth Piano Concerto actually grew out of early ideas for the opening movement of the Fifth Symphony.<br> <br> The slow second movement has often been described as a song for the piano. It consists of a sustained contrast between the orchestra’s stern unison theme and the piano’s lyrical, melancholic response. Their alternating dialogue unfolds like a dramatic exchange, with the orchestra gradually becoming quieter while the piano gains the upper hand, growing increasingly expressive and free. This simple but powerful contrasting structure also appears in Beethoven’s Coriolan Overture.<br> <br> The third movement, a Rondo vivace, brings the concerto to a bright and spirited conclusion. According to Beethoven’s compositional sketches, its characteristic sixteenth-note figure later served as the model for the rhythmic motif that opens the famous "Prisoners’ Chorus" from his opera "Fidelio."<br> <br> With its lyrical and idyllic character, Beethoven's Fourth Concerto for Piano and Orchestra stands as one of the high points of Beethoven’s piano works and, more broadly, of the piano concerto as a genre.<br> <br> Text: Rita Kass<br> <br> © 2018 Accentus Music<br> <br> Watch more concerts in your personal concert hall: <a href="https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey">https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey</a> <br> <br> in our Beethoven playlist: <a href="https://www.youtube.com/playlist?list=PL_SdnzPd3eBWcX1eOXH-w75x-_-7gRF-w">https://www.youtube.com/playlist?list=PL_SdnzPd3eBWcX1eOXH-w75x-_-7gRF-w</a> <br> <br> and in our playlist with piano concertos: <a href="https://www.youtube.com/playlist?list=PL_SdnzPd3eBU7k2TJgrgNCc9aygnNkaGZ">https://www.youtube.com/playlist?list=PL_SdnzPd3eBU7k2TJgrgNCc9aygnNkaGZ</a> <br> <br> Subscribe to DW Classical Music: <a href="https://www.youtube.com/dwclassicalmusic">https://www.youtube.com/dwclassicalmusic</a> <br> <br> #Beethoven #pianoconcerto #classicalera</p> <p><a href="https://www.youtube.com/watch?v=suUk959u42o" target="_blank">- Enlace a artículo -</a></p> <p>Más info en https://ift.tt/zWqgfYy / Tfno. & WA 607725547 Centro MENADEL (Frasco Martín) Psicología Clínica y Tradicional en Mijas. #Menadel #Psicología #Clínica #Tradicional #MijasPueblo</p> <p>*No suscribimos necesariamente las opiniones o artículos aquí compartidos. No todo es lo que parece.</p>

A possibilidade de nosso retorno a Deus é universal

<p>“A possibilidade de nosso retorno a Deus – e há aí diversos graus – é universal e intemporal; ela está inscrita na própria natureza de nossa existência e de nossa inteligência; nossa incapacidade só pode ser acidental, não essencial.</p> <p>“O que é principialmente indispensável é uma intervenção do Logos, mas não em todos os casos a intervenção de uma determinada manifestação do Logos, a menos que nós lhe pertencêssemos em razão de nossa situação e que, por este fato, ela nos escolhesse; a partir do momento em que nos escolhe, ela faz para nós função de Absoluto, e ela “é” então o Absoluto.</p> <p>“Poderíamos mesmo dizer que o caráter imperativo de que Cristo se reveste para os cristãos – ou para os homens providencialmente destinados ao Cristianismo – retraça o caráter imperativo que o Logos possui em toda via espiritual, do Ocidente ou do Oriente.”</p> <p><strong>Schuon</strong>, <em>Sobre os Mundos Antigos</em> (publicado no Brasil como <em>O Homem no Universo</em>).</p> <p></p> <p><a href="https://fschuon.net/2026/08/01/a-possibilidade-de-nosso-retorno-a-deus-e-universal/" target="_blank">- Enlace a artículo -</a></p> <p>Más info en https://ift.tt/zWqgfYy / Tfno. & WA 607725547 Centro MENADEL (Frasco Martín) Psicología Clínica y Tradicional en Mijas. #Menadel #Psicología #Clínica #Tradicional #MijasPueblo</p> <p>*No suscribimos necesariamente las opiniones o artículos aquí compartidos. No todo es lo que parece.</p>

Cebes’ Picture, Scientific and Sufi Optimism

<p>Welcome to our newsletter, dear reader,</p><p>• Our first new library item is <a href="https://www.themathesontrust.org/library/table-of-cebes" title="The Picture of Cebes (Tabula Cebetis)">the famous “Picture of Cebes”, a simple and engaging narrative</a> based on the description of an allegorical wall painting. This “Picture” is an influential account of the initiatic development of the soul towards salvation by means of moral cultivation. We give direct access and links to a translation, and to several editions of the original Greek, Latin and Arabic texts.</p><blockquote><p>‘Do not be astonished, my friends, that you find yourselves baffled by this painting, for even many of those native to this place do not know the meaning of the story. It was not dedicated to the temple by a local citizen, but by a stranger who came here long ago, someone of understanding and great wisdom, who emulated in words and deeds the Pythagorean and Parmenidean way of life. It was he who dedicated both this temple and the painting to Cronus.’<br> <img src="https://www.themathesontrust.org/images/Anonymous-Tabula_Cebetis-Rijksmuseum.jpg" width="390" alt="Dutch depiction of the Table of Cebes allegorical image"><br><small>Anonymous, Tabula_Cebetis, Rijksmuseum. Image from Wikimedia Commons.</small></p></blockquote><p>• We continue with <a href="https://www.themathesontrust.org/library/leibniz-true-piety" title="The Elements of True Piety">“The Elements of True Piety”, from the shorter writings of G.W. Leibniz,</a> where the famous mathematician and philosopher introduces his reasoning for a radical and pious optimism, based on subtle metaphysical arguments about the nature of God. “Anyone is able to live rightly merely on account of human causes, such as education, custom, public peace, personal safety, and good repute. However we are concerned here with those things that we do or endure because of God.”</p><blockquote><p>Given the most perfect being, namely God (as I now suppose), that the most perfect operation is that of the most perfect being, and that the world is the work of God, then the world is the most perfect, and hence no other series of things can be imagined which is more perfect than this one.<br> Alternatively: things have as much possibility as they have reality (for the essence of a rose in winter is the same thing as its possibility of existence) therefore those things that have the most possibility are without doubt those that exist in actuality, since they have the most reality, i.e. according to the definition of perfection they are the most perfect.</p></blockquote><p>• Finally, in line with Leibniz, we present <a href="https://www.themathesontrust.org/library/ormsby-ghazalis-theodicy" title="Al-Ghazali’s Theodicy: The Perfect Rightness of the Actual">“The Perfect Rightness of the Actual”, a chapter from Eric Ormsby’s erudite Theodicy in Islamic Thought</a>. In these demanding and very rewarding pages, we are introduced to the dispute over al-Ghazali’s teaching on the best of all possible worlds, and its parallels inside and outside the Islamic tradition.</p><blockquote><p>The aspirant to <em>tawakkul</em> (trust) must crave not lordship, however, but to be “like an infant who knows no refuge other than his mother’s breast.” Or, as another famous saying has it, he must be “in God’s hands like a corpse in the corpse-washer’s hands, who turns him however he wishes…”. But it is not enough to be <em>Kadavergehorsam</em>; the aspirant must achieve a changed perception of the world, and this entails more than mere “resignation to the course of fate’s decrees,” even if this is a prerequisite. What is ultimately required is a “good opinion of God,” leading to complete faith in the divine mercy and wisdom.</p></blockquote><p><a href="https://www.addtoany.com/add_to/facebook?linkurl=https%3A%2F%2Fwww.themathesontrust.org%2Fcebes-picture-leibniz-theodicy&amp;linkname=Cebes%E2%80%99%20Picture%2C%20Scientific%20and%20Sufi%20Optimism" title="Facebook"></a><a href="https://www.addtoany.com/add_to/whatsapp?linkurl=https%3A%2F%2Fwww.themathesontrust.org%2Fcebes-picture-leibniz-theodicy&amp;linkname=Cebes%E2%80%99%20Picture%2C%20Scientific%20and%20Sufi%20Optimism" title="WhatsApp"></a><a href="https://www.addtoany.com/add_to/linkedin?linkurl=https%3A%2F%2Fwww.themathesontrust.org%2Fcebes-picture-leibniz-theodicy&amp;linkname=Cebes%E2%80%99%20Picture%2C%20Scientific%20and%20Sufi%20Optimism" title="LinkedIn"></a><a href="https://www.addtoany.com/add_to/bluesky?linkurl=https%3A%2F%2Fwww.themathesontrust.org%2Fcebes-picture-leibniz-theodicy&amp;linkname=Cebes%E2%80%99%20Picture%2C%20Scientific%20and%20Sufi%20Optimism" title="Bluesky"></a></p><p>The post <a href="https://www.themathesontrust.org/cebes-picture-leibniz-theodicy">Cebes’ Picture, Scientific and Sufi Optimism</a> first appeared on <a href="https://www.themathesontrust.org">The Matheson Trust</a>.</p> <p><a href="https://www.themathesontrust.org/cebes-picture-leibniz-theodicy" target="_blank">- Enlace a artículo -</a></p> <p>Más info en https://ift.tt/JpH2V0c / Tfno. & WA 607725547 Centro MENADEL (Frasco Martín) Psicología Clínica y Tradicional en Mijas. #Menadel #Psicología #Clínica #Tradicional #MijasPueblo</p> <p>*No suscribimos necesariamente las opiniones o artículos aquí compartidos. No todo es lo que parece.</p>

The Odyssey's Dark Mirror

<p><img src="https://substack-post-media.s3.amazonaws.com/public/images/3feb8db8-d6c6-4351-b9d5-4163cf792faa_2056x1199.jpeg"></p><p>Dear Classical Wisdom Reader,</p><p>A while back, someone asked me where <em>exactly </em>should someone should start with Greek tragedy…</p><p>And I knew <em>exactly </em>what to tell him.</p><p>It’s a famous story, and I was glad to see elements of it make an appearance in the recent <em>Odyssey </em>film… even if it’s only in quick snippets. </p><p>In Nolan’s film, as in Homer, it’s a tale which serves as a dark parallel to both Odysseus<em> and </em>his family. </p><p>Yet if you want the FULL telling of this story, you definitely don’t go to Nolan, and you don’t even go to Homer.</p><p>You go to the Father of Tragedy, Aeschylus.</p><p>Across the trilogy of plays known as the <em>Oresteia</em>, Aeschylus presents us with something of an interlude between Homer’s two great epics, showing us events that happened after the <em>Iliad </em>and the fall of Troy, which also serve as a crucial background story for the <em>Odyssey</em>.</p><p>It’s a masterpiece of Greek tragedy, and its key players reflect potential dark fates for both Penelope and Telemachus, as well as Odysseus himself.</p><p>It all starts with the <em>Agamemnon</em>, a powerful play about a homecoming from war gone <em>very </em>wrong, with the famed seer Cassandra all too aware of what’s to come. </p><p>So read on below to discover the dark drama of the <em>Agamemnon…</em></p><p>All the best,</p><p>Sean Kelly</p><p>Managing Editor</p><p>Classical Wisdom</p><div><hr></div><div><div><div><p><strong>Go Deeper Into the Myths </strong>Become a Member to unlock ALL our resources, including our exclusive <a href="https://classicalwisdom.substack.com/p/the-oresteia-e-book">e-book of the entire </a><em><a href="https://classicalwisdom.substack.com/p/the-oresteia-e-book">Oresteia </a></em><a href="https://classicalwisdom.substack.com/p/the-oresteia-e-book">trilogy</a>, with bonus material from Classical Wisdom contributors!</p></div><div><div></div><div></div></div></div></div><div><hr></div><h1>The Dark Mirror of The Odyssey</h1><p><em>by Ben Potter</em></p><p><em>Agamemnon</em>, was the first of a trilogy of plays (<em>the Oresteia</em>), performed back to back during the Great Dionysia of 458BC; it focused on two generations of ‘The Cursed House of Atreus’. Regular readers will be well-aware of the bad blood flowing through, and often out of, the members of this unfortunate dynasty.</p><p>Tantalus (grandfather of Atreus) founded this woeful household of parricide, infanticide, cannibalism, incest and hubris. His sins that doomed his descendants? Not merely stealing from the gods, but also serving them his murdered son, Pelops for dinner.</p><p>His punishment? Eternal hunger and thirst in the darkest recesses of the underworld (Tartarus) and a bloodline with filth in its veins.</p><p>Aeschylus‘ trilogy begins three generations later. By its end, the family’s seemingly perpetual cycle of hubris and nemesis, sin and vengeance, betrayal and blood will have drawn to a close.</p> <p> <a href="https://classicalwisdom.substack.com/p/the-odysseys-dark-mirror"> Read more </a> </p> <p><a href="https://classicalwisdom.substack.com/p/the-odysseys-dark-mirror" target="_blank">- Enlace a artículo -</a></p> <p>Más info en https://ift.tt/JpH2V0c / Tfno. & WA 607725547 Centro MENADEL (Frasco Martín) Psicología Clínica y Tradicional en Mijas. #Menadel #Psicología #Clínica #Tradicional #MijasPueblo</p> <p>*No suscribimos necesariamente las opiniones o artículos aquí compartidos. No todo es lo que parece.</p>

Classical August - Peaceful Classical Music

<p><iframe allowfullscreen="allowfullscreen" width="640" height="390" src="https://www.inoreader.com/yt-embed/?v=5WaFg_y94qw" referrerpolicy="strict-origin-when-cross-origin" style="width:100%;aspect-ratio:16/9;height:auto;display:block;border:0;" frameborder="0"></iframe></p><p>August has a rhythm all its own. The long golden afternoons, the soft hum of summer winding down, the quiet feeling that time is stretching just a little slower before the season turns. This carefully curated collection of peaceful classical music is the perfect companion for those warm, unhurried August days. <br> <br> From the gentle grace of Mozart to the dreamy elegance of Debussy and the tender warmth of Bach, these pieces capture the calm beauty of late summer, when the light feels softer and the world feels a little more still. Whether you're enjoying a slow morning by an open window, reading in the shade of a tree, or simply savoring the last quiet weeks of the season, let this music bring peace and grace to your day. Press play, breathe deeply, and enjoy the beautiful stillness of classical August. ☀️🎼🌿<br> <br> <br> 📌𝐃𝐨𝐰𝐧𝐥𝐨𝐚𝐝 𝐄𝐬𝐬𝐞𝐧𝐭𝐢𝐚𝐥 𝐂𝐥𝐚𝐬𝐬𝐢𝐜𝐬 𝐀𝐩𝐩: <a href="https://app.essential-classics.com/">https://app.essential-classics.com/</a><br> <br> <br> 🟢 Follow us and our playlists on Spotify:<br> <a href="https://open.spotify.com/user/cugate-music?si=2d9adbc210b64a2b">https://open.spotify.com/user/cugate-music?si=2d9adbc210b64a2b</a><br> <br> 👉 Listen to classical music on other streaming platforms. The links are below: <br> <br> 📌 𝐓𝐡𝐞 𝟏𝟎𝟎 𝐁𝐞𝐬𝐭 𝐎𝐟 𝐂𝐥𝐚𝐬𝐬𝐢𝐜: <a href="https://lnk.to/Various-Artists-The-100-Best-Of-Classic-Volume-2">https://lnk.to/Various-Artists-The-100-Best-Of-Classic-Volume-2</a><br> 📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐃𝐞𝐛𝐮𝐬𝐬𝐲: <a href="https://lnk.to/Various-Artists-Best-of-Debussy">https://lnk.to/Various-Artists-Best-of-Debussy</a><br> 📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐇𝐚𝐧𝐝𝐞𝐥: <a href="https://lnk.to/Various-Artists-Best-of-Handel">https://lnk.to/Various-Artists-Best-of-Handel</a><br> <br> <br> 𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓<br> --------------------<br> 00:00:00 Borodin - String Quartet No. 2: 1. Allegro moderato (1)<br> 00:12:19 Borodin - Prince Igor - Polovtsian Dances: I. Introduzione, Andantino (2)<br> 00:14:52 Arensky - Variations on a Theme of Tchaikovsky, Op. 35a: IX. Coda, Moderato - Poco più mosso - Moderato (3)<br> 00:16:49 Mozart - Flute Quartet in D Major, K. 285: I. Allegro (4)<br> 00:23:44 Mozart - Flute Quartet in D Major, K. 285: III. Rondo (5)<br> 00:28:13 Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro (6)<br> 00:35:58 Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto (6)<br> 00:41:30 Bach - Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro (6)<br> 00:47:35 Mozart - Rondo in C Major, K. 373 (7)<br> 00:54:31 Tchaikovsky - The Nutcracker, Op. 71, Act II, Scene 3: No. 13, Waltz of the Flowers (2)<br> 01:01:25 Mozart - Flute Concerto No. 1 in G Major, K. 313: III. Rondo - Tempo di menuetto (7)<br> 01:08:49 Vivaldi - Chamber Concerto in D Major, RV 93: II. Largo (8)<br> 01:14:58 Mozart - Andante in C Major, K. 315/285e (7)<br> 01:21:29 Debussy - Danse sacrée et danse profane, L. 103: 2. Danse Profane (2)<br> 01:26:43 Haydn - Divertimento for Cello and Orchestra in D Major: I. Adagio (9)<br> 01:31:21 Wagner - Siegfried-Idyll, WWV 103 (2)<br> 01:51:02 Franck - Symphony in D Minor: II. Allegretto (2)<br> 02:02:28 Ravel - Daphnis et Chloé Suite No. 2: I. Lever de jour (2)<br> 02:08:28 Brahms - Symphony No. 1 in C Minor, Op. 68: II. Andante - sostenuto (2)<br> <br> <br> 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐞𝐫𝐬<br> ----------------------<br> (1) Saint Petersburg String Quartet<br> (2) Tbilisi Symphony Orchestra<br> (3) Pavlovsk Symphony Orchestra<br> (4) Alexei Ludevig<br> (5) Ilya Ioff<br> (6) Saint Petersburg Orchestra Opera<br> (7) Lithuanian Chamber Orchestra<br> (8) Chamber Orchestra of the Saint Petersburg Philharmony<br> (9) Saint Petersburg Chamber Orchestra<br> <br> Please follow and subscribe to our channel. We appreciate your support.<br> <br> 🔔 Click the bell to stay updated on the great classical songs <br> <br> 📧 <a href="mailto:info@cugate.com">info@cugate.com</a><br> 🌐 <a href="http://www.cugate.com">www.cugate.com</a><br> <br> 🎧 Essential Classics is dedicated to sharing and promoting classical music. We strive to present the best classical music for you! Our hope is to make your days more beautiful and peaceful with classical music. <br> <br> All audio and visual content on Essential Classics is created by Cugate AG a well-known music company. We have all legal rights of the audiovisual materials used in this video and our music is protected by copyright laws. If you have any questions regarding copyright or cooperation, please contact us.<br> <br> #classicalmusic</p> <p><a href="https://www.youtube.com/watch?v=5WaFg_y94qw" target="_blank">- Enlace a artículo -</a></p> <p>Más info en https://ift.tt/JpH2V0c / Tfno. & WA 607725547 Centro MENADEL (Frasco Martín) Psicología Clínica y Tradicional en Mijas. #Menadel #Psicología #Clínica #Tradicional #MijasPueblo</p> <p>*No suscribimos necesariamente las opiniones o artículos aquí compartidos. No todo es lo que parece.</p>

La conciencia: el sol, el cielo y el océano

<img src="https://www.nodualidad.info/imagen/intro/sol-cielo-oceano.jpg" alt="sol-cielo-oceano.jpg"> <br><br>El hecho de ser consciente, o la conciencia en sí misma, es el aspecto más fundamental de la experiencia. Nada de lo que percibes es fundamental para la experiencia. Todo lo que comienza, dura un tiempo y desaparece no puede ser fundamental. Es, por definición, temporal. Todo aquello de lo que eres consciente —pensamientos, recuerdos, sentimientos, sensaciones corporales, como el hormigueo en la cara, las manos o los pies, y tus percepciones del mundo— todo ello aparece, existe durante un tiempo y se desvanece. Se añade a ti, por así decirlo, y luego se te retira. Pero hay un elemento de la expe... <p><a href="https://www.nodualidad.info/articulos/la-conciencia-el-sol-el-cielo-y-el-oceano.html" target="_blank">- Enlace a artículo -</a></p> <p>Más info en https://ift.tt/JpH2V0c / Tfno. & WA 607725547 Centro MENADEL (Frasco Martín) Psicología Clínica y Tradicional en Mijas. #Menadel #Psicología #Clínica #Tradicional #MijasPueblo</p> <p>*No suscribimos necesariamente las opiniones o artículos aquí compartidos. No todo es lo que parece.</p>