<p><iframe allowfullscreen="allowfullscreen" width="640" height="390" src="https://www.inoreader.com/yt-embed/?v=NpGPakaccUA" referrerpolicy="strict-origin-when-cross-origin" style="width:100%;aspect-ratio:16/9;height:auto;display:block;border:0;" frameborder="0"></iframe></p><p>Sir John Eliot Gardiner and the London Symphony Orchestra bring buoyant precision and almost weightless touch to Mendelssohn's celebrated Scherzo from A Midsummer Night's Dream. Performed at London's Barbican Centre on February 7, 2019, the piece serves as the concert's encore, providing an elegant and spirited conclusion.<br>
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Felix Mendelssohn Bartholdy (1809–1847) composed the music for Shakespeare's A Midsummer Night's Dream over an extended period. The overture was written in 1826, while the complete incidental music followed in 1842 as part of a royal commission. The Scherzo is one of the central instrumental movements of these later additions and is widely regarded as a quintessential example of Mendelssohn's ability to translate literary fantasy into vivid musical expression. Rather than depicting the world of fairies and nature spirits in a programmatic way, the music transforms its atmosphere into sound.<br>
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The work is distinguished by its remarkable lightness. Fluttering string figures, finely crafted woodwind passages and sharply defined rhythmic gestures create a shimmering musical texture. Mendelssohn builds the movement from small motivic ideas that are passed rapidly between instrumental groups, maintaining a constant sense of motion and energy throughout.<br>
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© 2019 C Major Entertainment<br>
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And find more music from the Romantic era here: <a href="https://www.youtube.com/playlist?list=PL_SdnzPd3eBUCHNKKxIIM88sntDk1TVih">https://www.youtube.com/playlist?list=PL_SdnzPd3eBUCHNKKxIIM88sntDk1TVih</a><br>
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